Category: Business

• Tesla announced investors approved Elon Musk's pay package.
• The package, initially approved in 2018, was voided by a Delaware judge in January.
• Tesla is hoping the shareholder ratification will make the judge's ruling moot, but it's not guaranteed.

It's official — Tesla investors voted to approve Elon Musk's pay package.

The carmaker announced the results of the shareholder vote during the company's annual meeting on Thursday.

Investors had initially approved the compensation plan in 2018, but a Delaware judge voided it in January after a shareholder filed a lawsuit alleging the agreement was "beyond the bounds of reasonable judgment."

In January, Delaware Chancellor Kathaleen McCormick said she had decided to strike down the pay package because she believed Musk had undue influence over the agreement and its approval due to his close ties to several board members, one of which is his brother.

Tesla has yet to appeal the decision, but the company hopes to use the shareholder approval to argue that the ruling is moot now — the question now is whether the Delaware court will agree. The company said in a filing with the Securities and Exchange Commission on Monday that it will seek to reverse the ruling and will use an affirmative vote to do so.

When the compensation package was voided, it was estimated to be worth around $55 billion — making it the largest pay package to ever be awarded to a CEO.

Musk does not receive a salary from Tesla. His pay was determined by his ability to hit a series of financial goalposts. It consists of a 10-year grant comprising 12 sets of stock options. These options become available to Musk when Tesla achieves the specific goals. Each time a milestone is met, Musk receives stock equivalent to 1% of Tesla's outstanding shares at the time of the grant. By 2023, Tesla said it had successfully reached all 12 milestones.

Tesla has argued that the pay package is both fair and necessary to maintain Musk's focus on the car company. And the company went all out in its efforts to promote Musk's pay package, paying for advertisements and even offering shareholders who voted a chance to win a tour of the Texas gigafactory alongside Musk.

Some Tesla fans took to social media to promote the proposal, joining with some of the company's notable shareholders, such as Ron Baron of Baron Funds and Cathie Wood of Ark Investment Management, who were quick to rally around Musk.

"Elon is the ultimate 'key man' of key man risk. Without his relentless drive and uncompromising standards, there would be no Tesla," Baron wrote in an open letter last week.

One big reason investors are rallying around Musk: they are afraid of losing him — or at least his attention. The CEO has threatened to take his plans for AI and robotics elsewhere, saying that unless he had about 25% of voting control, he would "prefer to build products outside of Tesla."

"He is putting a knife at the throat of the company: 'You don't pay me what I want, then I am going to compete,'" Anat Alon-Beck, a corporate law expert at Case Western Reserve University, told BI.

During the annual meeting, Tesla announced that a proposal to move Tesla's state of incorporation to Texas had been approved. Earlier this year, Musk moved SpaceX's state of incorporation from Delaware to Texas as well.

Additionally, shareholders approved a proposal to reelect Tesla board members Kimbal Musk and James Murdoch.

This is a developing story. Check back for updates.

Do you work for Tesla or have a tip? Reach out to the reporter via a non-work email and device at gkay@businessinsider.com or 248-894-6012.

• Kate Winslet says filming the "I'm flying" scene in "Titanic" was a "nightmare."
• The iconic scene required four reshoots due to lighting and makeup issues.
• "Every young girl in the world wanted to be kissed by Leonardo DiCaprio," Winslet told Vanity Fair. "It was not all it's cracked up to be."

In a film full of memorable scenes, there's one in James Cameron's 1997 epic "Titanic" that stands out for its pure romance: The "I'm flying" scene, in which Kate Winslet's Rose and Leonardo DiCaprio's Jack share a passionate kiss on the ship's bow as the Céline Dion song "My Heart Will Go On" plays in the background.

But in reality, the scene was a nightmare to film. At least, according to Kate Winslet.

"My god, he's quite the romancer, isn't he? No wonder every young girl in the world wanted to be kissed by Leonardo DiCaprio," Winslet said while rewatching the scene for Vanity Fair. "It was not all it's cracked up to be."

Winslet said that Cameron wanted a specific light for the scene, and it kept changing on them. On top of that, there was no way for hair and makeup to do touch-ups on the actors between shots because of where they were standing, so Winslet had to do both their makeup and hide their brushes inside her corset.

"We kept doing this kiss, and I've got a lot of pale makeup on and I would have to do our makeup checks — on both of us, between takes — and I would end up looking as though I'd been sucking a caramel chocolate bar after each take because his makeup would come off on me."

DiCaprio, who had fake tan makeup on, looked like "there was a bit missing from his face" after each take, Winslet said. "Oh God, it was such a mess."

Despite all that, the finished received much acclaim. "Titanic" went on to win 11 Oscars, including best picture and best director for Cameron. It was the highest-grossing movie ever until Cameron made "Avatar" in 2009.

"I do feel very proud of it because I feel that it is that film that just keeps giving," Winslet said of "Titanic." "Whole other generations of people are discovering the film or seeing it for the first time, and there's something extraordinary about that."

Of course, that means every time Winslet is on a boat, people try to get her to reenact the "I'm flying" scene.

Does she agree to do it?

"Sometimes yes, sometimes no," she said.

Anthony Michael Hall has spent most of his life in front of the camera, and he has the stories to prove it.

Some of them are downright enviable. He hung out with comedy legends Chevy Chase and John Candy while filming his first starring role in "National Lampoon's Vacation," became the muse of 1980s auteur John Hughes with "The Breakfast Club" and "Sixteen Candles," and was the youngest "Saturday Night Live" cast member ever after joining the show at 17.

But some of them are less so. Hall's 1986 film "Out of Bounds," his attempt at becoming a dramatic leading man, was a flop. He was part of what's regarded as one of the worst "Saturday Night Live" seasons of all time. Hard-partying forced him to step away from Hollywood.

It's enough stories for a lifetime — and all of that happened by his mid-20s.

Now 56 and with the dreaded transition from teen star to adult actor decades behind him, Hall has added many more memorable roles to his credits: he played Bill Gates in the 1999 TV movie "Pirates of Silicon Valley," popped up in Christopher Nolan's "The Dark Knight," and went toe-to-toe with Michael Myers in "Halloween Kills." Soon, he'll add another to the list: a sleazy politician who gets on Jessica Alba's bad side in the Netflix action movie "Trigger Warning," out June 21.

For the latest interview in Business Insider's "Role Play" series, Hall opens up about his partying days, why he turned down the lead role in Stanley Kubrick's "Full Metal Jacket," and his plan to make a "Succession"-like comedy series with his good friend Robert Downey Jr.

On hitting puberty during reshoots of 'National Lampoon's Vacation' and meeting John Candy

"National Lampoon's Vacation" was your first movie, and the ending was reshot. As a kid, was it strange to do a reshoot?

We did the reshoot for "Vacation" six or nine months later. The funny thing is that puberty had fully kicked in for me. I'm literally seven inches taller. So if you look at the movie closely, you'll see that my hair is darker, and I got taller and skinnier. The first day on set for the reshoot, I see Chevy, and he sees that I have one or two giant pimples, and he goes, "If you're going blind, you're doing it right." He was just messing with me because, seeing how I looked, he guessed I had started masturbating. Chevy was like that. 

And the other thing was I learned John Candy was going to be part of the reshoots. I used to watch "SCTV," so I loved him, and one of the sketches he used to do was the Schmenge brothers with Eugene Levy, they were Polish variety show hosts. So I brought that to John's attention, and he said, "We're going to make you an honorary Schmenge, Michael," he would talk to me like his Schmenge character. That's how cool he was. He really was like Uncle Buck. 

On doing 10 auditions for 'Sixteen Candles' and casting John Cusack himself

Is it true you did 10 auditions for the Ted role in "Sixteen Candles"?

I think so. It was in that range. 

Was John Hughes at all of them?

I believe he was at all of them. As well as Jackie Burch, the casting director. But the thing was that with every successive round of audition, they would add more executives from the studio showing up. 

So you would feel good if the room filled up more and more.

Exactly. I felt I was getting closer to landing the job because they kept asking me to come back and do the same scenes, and there would be more and more people. 

Do you think you and John clicked through that process, or was it not until filming started?

I think it was actually through the audition. Because I felt like he was rooting for me. 

Is it true that you were the one who cast John Cusack for the role of Bryce, one of Ted's geek friends?

Yes. And that was at John Hughes' direction. He literally said that to me one day. He said, "They are going to be your buddies in the movie, so I want you to cast them." I was stunned. I was a 15-year-old kid. I couldn't believe he said that. So I cast John and Darren Harris. 

By the time "The Breakfast Club" came out, you were one of the biggest teen stars in Hollywood. What was that like for you?

I was excited and stunned. I think when it started to kick in for me was even before that, it was when we had screenings of "Sixteen Candles." I remember John was doing post-production on "Sixteen Candles," and he wanted to show it to me. I went to the Waldorf Astoria with my father to see John, and he showed it to us on VHS in his beautiful penthouse suite. I remember tripping out because I was watching the movie, and I really laughed and thought it was funny. That marks the beginning of when I felt something was starting for me. 

By the time "The Breakfast Club" came around, he had called me at home. This is six or eight months later because he did "Sixteen Candles," "The Breakfast Club," and "Weird Science" consecutively. My parents gave me the phone, and he just told me about the movie and my part, and that's how I got involved with that. We would always call each other and talk over the phone, just as friends. 

On wild nights out while making 'Weird Science' and starring on 'SNL' simultaneously

We have to talk about 1984 to 1986 because that is a defining moment in your life and career. You were on "Saturday Night Live" as the youngest cast member ever at 17 years old. You were finishing up "Weird Science," and were looking to do your first dramatic role with "Out of Bounds" after declining to play the lead in Hughes' "Ferris Bueller's Day Off."

You were living in the Chateau Marmont with a giant billboard of "Weird Science" right outside your window. You were flying back to New York weekly for "SNL." And, on either coast, you were partying with the likes of Robert Downey Jr. and Mike Tyson. What the heck was life like for you then?

Dude, it's like you were there the way you just described that! That was startling. No, it was incredible for me. I remember taking a meeting to do "Out of Bounds," and at that point, I felt personally I was riding the crest of these three John Hughes movies, and I was loving it, but part of me wanted to move forward, and that's why I chose that film. It was a chance to step in a new direction after three comedies. And, yes, I was going back and forth to New York to do "SNL" because my deal for the 1985 season was not like the other cast members — I only did like 13 or 14 episodes while everyone else did 20-22. It was a whirlwind. 

A whirlwind for sure. Looking back, did you burn both ends of the candle?

It was a lot to deal with, absolutely. And we're talking about the age of 15 to 20. I'd done all those films and "SNL," and truthfully, yeah, those were my partying days. I grew up in Manhattan, so it wasn't something I had to reach for. It was always right there. I certainly had my wild nights. But I feel by the time I was in my mid-20s it shifted because I had to reinvest in my craft and take it seriously and rebuild. 

On his biggest career regret and working with Tim Burton on 'Edward Scissorhands'

I have to bring up one more thing from this time span: Stanley Kubrick calls you to play the lead in "Full Metal Jacket."

Oh, shit. Yeah.

Is it true that there was a nine-month negotiating period to determine whether you were going to sign on for the role of Joker?

That's right. 

But set the record straight, because you have said different things over the years: Did you walk away because of the money being offered, or was it the character and the amount of time you'd have to dedicate to the role?

Here's the thing: I remember I had to go to Kubrick's lawyer's house, who lived in the Bel Air section of Beverly Hills. I was with my father. He escorted me into his kitchen, and I sat down and read a script that was numbered because Kubrick was extremely private, and I read "Full Metal Jacket." But it was such a long and drawn-out process. At one point, I remember the lawyer calling my father, and Kubrick had a question for my father; he wanted to know if he had read a book called "Nuclear Negotiations," because that's how long these talks were going. 

But to answer your question, and it's a good one, I think it was about not just the money but what it represented. He really wasn't giving me a legitimate deal. And because I did my research, I knew that I'd be working for a year on that movie. In fact, I happened to run into Matthew Modine a year and a half later, and I asked him, "How long did you guys shoot?" And he was like, "54 weeks." 

So it was about the money. We couldn't come to an agreement on the deal and that's ultimately why I walked away. If I have anything close to a regret in my career, it would be not doing that movie. But I'm not a person who lives with regret, so I feel I grew from that experience. And I wound up having a conversation with him after all that. 

With Kubrick?

Yeah. It was really interesting. He basically told me he had a lot of budgetary restraints, and I talked to him about that. Unfortunately, it didn't work out, but I was able to have two conversations with the man: at the beginning, when he offered me the role and he talked about his influences like Chaplin and Russian films, and then at the end. The whole thing was an interesting experience. 

You took some time off after "Out of Bounds" and reemerged as the bully Jim in Tim Burton's "Edward Scissorhands." Was it a confidence boost for you when that movie became a hit?

It totally was. I remember I got a meeting in New York with Tim. I was super stoked to see him. A modern-day Walt Disney. He was super laid back at the meeting. He was soft-spoken and really chill. And I was in my early 20s by then and had another growth spurt, so I think he loved that coming off the John Hughes movies and people knowing me as the geek from those, he thought it would be interesting to cast me in that Jim role. Basically, to go against type. 

We shot in the Tampa area. I'll never forget: I went into his office, and he had all the drawings for "The Nightmare Before Christmas" on the wall. So he was thinking about that even though he was in production on "Scissorhands." And he would come so alive once he was on set. He's so calm and reserved, but on set, a switch flips and he comes to life. 

On Christopher Nolan's on-set uniform and developing a 'Succession'-like TV series with Robert Downey Jr.

You have worked with many greats. How do you compare Christopher Nolan when you worked with him on "The Dark Night"?

He's up there. Hughes. Burton. Nolan, I love, too. With the scale and the scope of the movie, I always just went with what was on the page; I never tried to improvise. I remember on set, he always wore the same thing: jeans, a vest, and a lengthy jacket. He looked like a conductor. He had a uniform, it seemed. He was kind of like a pied piper because, with every shot, there would be a trail of four or five people behind him.

I heard you and Robert Downey Jr. developing something together.

We are. I can tell you that we are in development; it's been years. We wrote a TV series together, we're calling it "Singularity," and it's based on an idea Downey had. It's taken a while because, at a certain point, we had to change things because it wound up being too similar to "Succession." What I mean by that is I would have played one of three sons, and the father was this tycoon industrialist. It's more of a comedic tone than "Succession," but it mirrored it too much, so we had to change things. Downey and I actually had a Zoom session the other day with a top producer who will hopefully come on board. 

Would Downey be on camera alongside you?

He is willing to do that. He might direct the pilot and some other episodes along with being in it. 

Would you direct some episodes? 

I would love to. This is really Downey's idea, so he's committed to being a part of it. 

You've had so many different eras of your career. Is there anything else you still want to try?

Writer-director. I've written something that I really want to make. I would star and direct it. It has been a passion and desire for me to do that for many years now. It's the next evolution in my career, being behind the camera. 

This interview has been edited and condensed for clarity.

• A researcher who studies processed foods said the work prompted him to make his own diet healthier. 
• He cut back on certain foods after finding a link to health risks.
• Instead, he aims for whole foods, high fiber snacks, and meals with recognizable ingredients. 

Once, chicken nuggets were a convenient, popular dinner option for Dr. W. Taylor Kimberly and his family.

But after studying ultra-processed foods in more detail, and seeing how they affect the brain, he's switched to grilled chicken instead.

Kimberly, a professor of neurology at Harvard Medical School and a neurologist at Massachusetts General Hospital, is the senior author of a new study linking ultra-processed foods to health risks like dementia and stroke.

"Since we began this study, I've paid more attention to what I eat," he told Business Insider. "But I'll be honest, there are many I enjoy, and I haven't eliminated them all."

While it's not news that ultra-processed foods are linked to poor health, the latest study helps us understand not just which foods might be healthy or unhealthy but how to make small, healthy changes without cutting them out entirely.

"Ultra-processed foods are such a big part of our diet. They're convenient and easy. There hasn't been as much work on thinking about not just the type of food but also how it's processed," he said.

The findings, published June 11 in the journal Neurology, are a step closer to helping scientists understand why processed food might be bad for our health. The study was observational, which means it can't directly tell us if processed food caused the health risks.

But it does offer hints at simple ways to make healthier choices, according to Kimberly, who offered tips on picking more nutritious snacks and how much processed food you should aim to cut back on.

Swapping out as little as two servings of processed food a week can help

When Kimberly and his team embarked on their study, their goal was to come up with some actionable advice for people. Is it possible to slightly reduce processed foods — without eliminating them entirely — and meaningfully improve your health?

Their research suggested you can.

Their study found that a 10% increase in processed food consumption was linked to a higher risk of cognitive impairment.

That's the equivalent of about two meals per week. The research team based their analysis on that amount because it felt like a realistic amount for people to reduce, and an easy goal to remember.

"The answer we came up with is that we move the needle, and we can take a lot of optimism from that," Kimberly said.

"Diet is really hard to change. There are many reasons we eat what we eat, such as time, convenience, and budget. All of these things impact the dietary choices we make," he said.

Choose whole foods high-fiber options like nuts and seeds

Years of research tell us that processed foods are harmful in part because they're often lacking in fiber and protein, as well as vitamins and minerals. They also introduce unhealthy ingredients into your diet, such as added oil, sugar, salt, and preservatives.

That means you can't offset the consequences of a junk food diet by popping some multivitamins or gulping a green juice afterward.

"If you're not eating a healthy meal, you're also eating an unhealthy meal, so the evidence suggests you can't just add a supplement. It's both sides that are important when thinking about brain health," Kimberly said.

The good news is that replacing highly processed foods with healthier alternatives can give you double the benefits because you're adding nutrients and cutting out potentially harmful additives at the same time.

For example, swapping French fries for baked sweet potatoes helps to reduce salt and oil in your diet but also brings in more vitamins and minerals.

Kimberly's research has inspired him to snack on nuts or carrots instead of cookies or crackers — cutting his sugar intake and quickly increasing the amount of fiber in his diet.

"We're not just feeding ourselves when we eat. We're feeding a really complicated ecosystem in the gut that helps metabolize what we eat," Kimberly said.

Aim for ingredients you recognize

You don't have to give up processed foods completely to improve your health. When you're reaching for something cheap and convenient, it can help to choose healthier processed food options that have recognizable ingredients, according to Kimberly.

"If you look at it and think, that could be made in my kitchen, that's a good indicator," he said.

In the long run, it can be more helpful to make a few small swaps you can stick to than trying (and failing) to swear off processed foods forever.

"In a perfect world, we would all eat unprocessed foods, but that's not reality," Kimberly said. "It's not a sprint. Short, big changes aren't the goal. Even modest changes, if they're sustainable, can matter."

• Fans are praising "Bridgerton" for including a character who is deaf and another who uses a wheelchair. 
• Some think that Francesca Bridgerton and her love interest, John Stirling, are "autistic-coded."
• Francesca and John are depicted as introverted, shy, and musically inclined.

Warning: Spoilers ahead for "Bridgerton" season three.

Season three of "Bridgerton" is all about Penelope Featherington (Nicola Coughlan) and Colin Bridgerton's (Luke Newton) friends-to-lovers romance, but another member of the titular family is standing out among fans.

Francesa Bridgerton, played by Hannah Dodd, has much more screen time this season as she makes her debut in society and joins the marriage market.

Since season three, part one was released on Thursday, fans of the Regency-era drama have gravitated toward the character, with many saying that she seems "autistic-coded."

Here's how season three handles characters with disabilities, why fans have interpreted Francesca as autistic, and what Dodd and showrunner Jess Brownell have said about her characterization.

Fans are lauding season 3 for its representation of people with disabilities

During the season three premiere, Dolores Stowell (Kitty Devlin) is one of the young women who makes her debut in society and is presented to Queen Charlotte (Golda Rosheuvel). After bowing to the unimpressed queen and walking away, Dolores uses British Sign Language to tell her mom, Lady Stowell (Sophie Woolley, who is deaf), that she thinks the royal hates her. In response, her mom signs back, "Impossible. You were perfect."

Another character with a disability appears when Penelope tries to talk to potential suitors at a ball in episode two after receiving lessons in charm from Colin.

One of the men she speaks with is Lord Remington (Zak Ford-Williams), who uses a wheelchair. Penelope and Lord Remington immediately get along after he admits that he enjoys gossip and is a big fan of Lady Whistledown — completely unaware that he's talking to the gossip columnist herself. Lord Remington is seen again during episode three, at the hot-air balloon presentation.

Both characters resonated with fans on X (formerly known as Twitter) and people praised the show for not marginalizing them.

Some people also think that Francesa shares similar qualities as autistic and neurodivergent people

Francesa, the sixth-born Bridgerton, is far more introverted and introspective than her siblings. She's less interested in entertaining potential suitors and would much rather play the pianoforte or read a book.

Her passion for music and shy demeanor attract the attention of Lord John Stirling, the Earl of Kilmartin, who has a similarly reserved disposition.

In their encounters, Francesca and John enjoy each other's company without exchanging many words, much to the bewilderment of her family.

Then during episode four, they have a slightly awkward conversation in town, in which Francesca criticizes a nearby violinist's performance because she feels the pace of the song is "too fickle" to be enjoyable. John seems impressed by her but runs off and later apologizes to Francesca at the queen's ball. He explains that he's not much of a talker, but he believes in the power of a gesture and gives her sheet music that has been rearranged exactly as she imagined it.

After watching season three, part one, fans on X and Reddit said that Francesca and John both appear to have signs of autism.

"Can we just talk about the disability representation in #BridgertonS3 for a minute? Not only is there a deaf actress using BSL to communicate on-screen, there's also an eligible suitor in a wheelchair. Not to mention the fact that Fran & John are autistic coded AF," one fan wrote.

"I really enjoy her character in part 1 and I find myself relating to many of her mannerisms. Which leads me to the question if anyone else thought that she has the television 'traits' of autism. I don't mind it for representation, but just wondering if I'm reading too deep into her mannerisms," one Reddit user wrote.

While not everyone thought Francesca was necessarily autistic, some just appreciated her as a relatable introvert.

"I found her very relatable. I don't know if I'm on the spectrum, but there are a few traits that overlap for me. She seems very much like an introverted person who hates loud noises and too much sensory stimulation," said one person in response.

Francesca isn't explicitly stated as being on the autism spectrum in Julia Quinn's 'Bridgerton' novels or on the TV series

Many people, especially women and gender-nonconforming people, are misdiagnosed or don't find out they're autistic until their 30s or later. Some of the more subtle signs, according to a psychologist, include feeling misunderstood by others in social situations, having difficulty maintaining conversations, and getting overstimulated.

It's unclear if Francesca is intended to be autistic. (Business Insider reached out to Netflix representatives for "Bridgerton" regarding how the character has been received by some fans, but did not receive an immediate response.)

But showrunner Jess Brownell has said that Francesa is different from her family in that she "doesn't always say what she's feeling like the rest of the Bridgertons."

"So we were always looking for little ways to clue people in on the fact that there's a lot more going on than meets the eye," Brownell told Netflix's editorial site, Tudum. "She has a very rich internal world." 

Dodd shared similar comments about Francesca's disposition in the production notes for season three.

"She is slightly more shy but, as with a lot of introverts, she's grown up around these people, so she is quite comfortable and knows her place within the family," the actor said of the difference between Francesca and her siblings. "I've tried to play her so there's a difference when she's going out into society and meeting new people, and how that makes her go into her shell a bit."

"She's still quieter than her other siblings, but she is comfortable with them, she knows them, they know her, and she slots in," Dodd added. "She still has this kind of sarcastic humor that they all have, and a banter. But she's more observant."

Quinn and 'Bridgerton' showrunner Jess Brownell reacted to fans calling Francesca 'autistic-coded'

Upon the release of season three, part two, Quinn weighed in. "I didn't specifically write Francesca to be neurodivergent, but nor did I write her to simply be shy," Quinn wrote on her Facebook page. "I've always seen her as someone who loves her big, boisterous family but often needs space. They're simply sometimes… too much."

She said seeing autistic fans' reactions to Francesca "brings me — and everyone involved with the show — tremendous joy." "With every season, more and more people are able to see themselves in Bridgerton, and this is truly a beautiful thing."

Meanwhile, Brownell told the Los Angeles Times that the writing team didn't intend for Francesca to be neurodivergent.

"I thought that the conversation around neurodivergence was really interesting and it was actually something we talked about in the room, but we didn't necessarily set out to write a neurodivergent character with Francesca," she said. "As we were adapting her from the book, many of us thought maybe she is neurodivergent because she does share certain characteristics, and it's just been beautiful to see people relating to that."

• Season four of "Bridgerton" is in the works, and will likely arrive in 2026.
• The next season will likely focus on Benedict Bridgerton's (Luke Thompson) love story. 
• Luke Newton and Nicola Coughlan will reprise their roles as Colin and Penelope.

Warning: Major spoilers ahead for season three of "Bridgerton."

"Bridgerton" fans have been patiently waiting, and Benedict Bridgerton's season is finally coming.

Season three of the Netflix series, centered on Colin Bridgerton (Luke Newton) and Penelope Featherington's (Nicola Coughlan) relationship, concluded with the release of part two on Thursday.

In giving Polin a happy ending, "Bridgerton" also heavily teased that Benedict, the second-eldest sibling, will get the main character treatment next season.

Here's everything we know about season four, so far.

Benedict's love story will probably be the focus of season 4

An official announcement about the season four lead hasn't been made yet, but all the signs point to Benedict (Luke Thompson).

On the season finale, as Eloise Bridgerton (Claudia Jessie) prepares to head off to Scotland with Francesca Bridgerton (Hannah Dodd), John Stirling (Victor Alli), and Michaela Stirling (Masali Baduza), she tells Benedict that she'll only be gone until next year.

"Do you think Mama would ever let me miss her Masquerade Ball?" she says.

Benedict, still not ready to settle down, replies: "I will be there, hiding out behind a mask, avoiding eligible ladies like the plague."

That not-so-subtle moment was a nod to Benedict's novel "An Offer From a Gentleman," which is part of Julia Quinn's "Bridgerton" book series.

In the third, "Cinderella"-inspired book, Benedict meets a woman named Sophie Beckett at a masquerade ball. Unbeknownst to him, Sophie is a servant to a rude stepmother named Araminta Gunningworth. By the end of the book, they express their love for each other and get married.

Brownell told Deadline that Benedict will continue "exploring his fluidity," but played coy about when he might meet his future wife.

"As far as Sophie, I can't say quite yet when she's popping up, but will be announcing more soon," she said.

Luke Newton and Nicola Coughlan will reprise their roles as Colin and Penelope Bridgerton in season 4

Coughlan told TheWrap that she and Newton will return on season four, but they "don't know anything about it." Meanwhile, showrunner Jess Brownell told the publication that she'd like the pair to continue on the show beyond season four.

"We will definitely hope to bring them back in future seasons because I think there's more story there," she said.

Brownell elaborated in an interview with Entertainment Weekly, saying that Polin will shift to being part of the larger ensemble.

"I do think that there is a bit more to tell story-wise with Whistledown," she said. "Whistledown has been the narrative glue of every season. Now that Penelope's out publicly as Whistledown, I want to see more of what that's like. So, we will continue with them next season for sure."

Newton similarly told Teen Vogue that he's committed to being on the show indefinitely.

"I feel very invested in the show… like I said before, I just love the people," he said. "I love my job. I love my role in the show, so I can't see myself going anywhere. I just want to finish the stories off. I would say there's still stuff to get sorted in season four, so yeah, that's why I'm there."

Kanthony may also return

Kanthony fans have been wondering how long Kate (Simone Ashley) and Anthony Bridgerton (Jonathan Bailey) will stay on the show after leading season two.

Previous season leads have largely stepped away after their story arc was done, but Anthony and Kate are the new heads of the Bridgerton household, which means they have to stick around.

In season three, Anthony and Kate show up in four episodes, often disappearing on trips around the world. The show writers likely did this to explain the characters' disappearance so Ashley and Bailey could film other projects.

In season three, episode seven, Anthony and Kate leave for a trip to India so Kate can visit her home and give birth to their first child. Though this looks like a convenient way to write the couple off the show, that may not be the case.

Ashley told reporter Josh Rom during a "Bridgerton" season three screening premiere on Wednesday that she will return for season four.

"Kate Sharma is here to stay," Ashley said.

It might be more tricky to bring back Bailey since he was just cast as the lead in the next "Jurassic World" movie. However, Bailey has not yet said he's leaving "Bridgerton."

Brownell, for her part, said that she hopes to see more of Kanthony on the show.

"We love them so much, and they're both so incredibly talented and we want to support their ability to do other projects, while still leaving the door open for them to return when and if they're able," she told Entertainment Weekly. "So the India send-off is a plot device in certain ways that allows us to leave the door open."

This isn't the last we've seen of Cressida Cowper

Season three of "Bridgerton" gives more insight into Cressida's (Jessica Madsen) difficult home life and the lengths she'll go to in order to get out of her situation.

During the season, she attempts to take credit for Lady Whistledown so she can receive the reward money and avoid marrying an older man, but the plan backfires. Then, when she learns that Penelope is Lady Whistledown, she attempts to blackmail her with the intention of using the money to escape town and avoid being sent off to live with her aunt in Wales.

But Cressida is outsmarted and is last seen being sent away in a carriage to live with her relative after tarnishing the Cowper family's reputation.

In separate interviews with The Hollywood Reporter, Entertainment Weekly, and The Los Angeles Times, Brownell said that Cressida's story isn't over yet.

"It felt a little early in this season for her to get a happily ever after just because we've watched two seasons of her being a real bully to Penelope. She has a little bit more growth to do, but I do want to give her a happy ending eventually," she told EW.

"We want to see more from Jessica Madsen," Brownell told THR. "So we wanted to leave her story a little bit more open-ended so that we can craft an ending for her in future seasons."

'Bridgerton' season 4 won't come out until 2026

On Wednesday, "Bridgerton" showrunner Jess Brownell told The Hollywood Reporter that fans must wait two years for the next season.

"We are working to try and put the seasons out more quickly, but they do take eight months to film and then they have to be edited, and then they have to be dubbed into every language," Brownell said. "And the writing takes a very long time as well, so we're kind of on a two-year pace, we're trying to speed up but somewhere in that range."

Brownell added that the writers are nearly done with the season four scripts.

"I feel like it's some of my best work and my writers room's best work," Brownell said. "We've just really gelled our collaboration, and we're firing on all cylinders, so I can't wait for fans to see what we have."

In a season three finale post-mortem interview with Business Insider, Lady Danbury actor Adjoa Andoh said that filming for the new season is set to begin "sometime in the autumn."

Brownell confirmed this in an interview with the LA Times and said that they're filming in the fall partly for storytelling purposes but also out of practicality.

"It's still going to be just as lush and colorful, but just more in those warm fall colors instead of the pastels," she said. "There will still be some pastels, so it won't look like a totally different show."

This means that season four is likely to premiere at some point in 2026, but there's no confirmed release date yet.

All episodes of season three of "Bridgerton" are now streaming on Netflix.

• "Bridgerton" season three finally confirmed a long-held theory about a character's sexuality. 
• The finale revealed more than one seemingly bisexual character. 
• "Bridgerton" has been building to this moment since season one. 

Warning: Major spoilers ahead for season three of "Bridgerton."

Dearest readers, rejoice: Benedict Bridgerton is finally bisexual.

Until season three, none of the Bridgerton siblings were officially queer. The show had featured a few queer characters — an artist in season one, Queen Charlotte's footman Brimsley in her spinoff series — but never one of the show's eventual leads. And for those keeping score at home, Benedict isn't the only apparently bisexual character on the show now: his sister Francesca likely is, too, based on that major book change in the finale.

Benedict's bisexuality isn't coming from the void. The show has long been building a queer storyline for him, and this is the moment that's finally coalesced.

"Benedict's fluidity is something we've been talking about from Season 1, which is why I think viewers have picked up on it," showrunner Jess Brownell told the Los Angeles Times. "We wanted to do that storyline justice, and it felt like season three was a good place to do that to make sense of some of the threads we've seen with him before."

'Bridgerton' has been hinting at Benedict's queerness for a while

Before season three, Benedict Bridgerton had yet to kiss another man. But in season one, he encountered the possibility for seemingly the first time through his friendship with the artist Henry Granville. Granville strikes up a friendship with Benedict, inviting him along to art parties. At one of them, Benedict walks in on Granville having sex with another man.

When Benedict later confronts him about it and inquires about his marriage to a woman, Granville tells him that it's a necessary arrangement. His marriage allows his wife to pursue a life of her own while providing him with the cover to pursue his lover, Lord Wetherby, in secret.

"We live under constant threat of danger, Bridgerton. I risk my life every day for love," Granville tells Benedict. "You have no idea what it is like to be in a room with someone you cannot live without and yet still feel as though you are oceans apart."

Unlike his siblings, Benedict hasn't pursued many serious relationships on the show, even though we haven't yet hit his season as a romantic lead. And he's not ready to do so yet! Especially after opening up a new avenue of sexual exploration.

'Bridgerton' confirms that Benedict is bisexual through a threesome

In season three, Benedict's relationship with the widow Lady Tilley Arnold culminates in an invitation to join her and her friend Paul Suarez for dinner. Benedict and Paul flirt a bit on the terrace before Benedict encounters Tilley and Paul kissing. Paul then invites Benedict upstairs, causing him to panic and leave the house in a rush.

But fear not: After a conversation with Eloise at Colin and Penelope's wedding breakfast, Benedict decides to return to Lady Tilley's home. When Tilley and Paul return, he takes them up on their offer by kissing them both.

It might seem a little cliché or stereotypical to cement Benedict's bisexuality through a threesome. But the decision doesn't feel particularly wanton within the context of the show.

For one, Benedict is hardly the first Bridgerton brother to have a threesome on the show (this isn't even his first!). Furthermore, this man has clearly had some unfulfilled desires and curiosities that have been building since season one. We'll even pardon him for his corny remark in bed about loving a "party of three."

Ultimately, Benedict isn't ready to settle down when Lady Tilley confesses that she's developed romantic feelings for him. Their encounter with Paul, as well as their own casual sexual relationship, has made him realize how much he enjoys being "free."

It remains to be seen how "Bridgerton" will handle Benedict's story, though the writers appear to have set him up to be the romantic lead in season four. In the books, he falls in love with a woman named Sophie at his mother's masquerade ball, though he doesn't learn her identity that night. Eventually, they marry, but it doesn't seem likely that "Bridgerton" will allow his queerness to fall entirely into the background.

Regardless of what the future holds, let's celebrate this moment — a very bisexual "Bridgerton" season finale that, through both Benedict and Francesca, has set the show to foreground a queer romance in the future.

• Jeff Bezos dreams of a trillion people living throughout the solar system on gigantic space stations.
• This is how humanity can thrive without robbing planet Earth of precious resources, in the process, according to Bezos.
• Business Insider asked experts about how realistic Bezos' plan is. Here's what they said.

When it comes to space exploration, Jeff Bezos dreams big.

"I would love to see a trillion humans living in the solar system. If we had a trillion humans, we would have, at any given time, 1,000 Mozarts and 1,000 Einsteins," he told podcaster Lex Fridman in a 2023 interview.

To realize this dream, Bezos envisions a future beyond his lifetime where humans live on giant space colonies floating through our solar system, not on planets like Mars. "The planetary surfaces are just way too small," to fit everyone, Bezos told Fridman.

According to Bezos, leaving Earth would enable the human race to grow and thrive without destroying our home planet.

Business Insider asked four different kinds of experts — from architects to astrobiologists — for their take on Bezos' plan. Here's what they said.

Jeff Bezos's space colonies would look like cylinders

In Bezos' futuristic fantasy, we're all kicking back in space stations that look similar to a concept called O'Neill cylinders, named for physicist Gerard K. O'Neill, who first proposed them in the 1970s.

"The vision of Gerard K. O'Neill is inspiring, but it's absolutely humongous," said Anthony Longman, an independent architect who put together a concept for space habitats designed to house roughly 8,000 people.

That's notably larger than the International Space Station, which typically has seven astronauts on board at any given time.

But a space habitat with 8,000 humans is nothing compared to O'Neill colonies that could house several million people and would be about 500 square miles, or as big as San Antonio, TX, inside.

On the outside, these space colonies would measure 20 miles long, four miles wide, and rotate to generate artificial gravity for the humans onboard.

O'Neill thought that we could establish natural ecosystems, bodies of water, and even weather systems inside. From there, we could build farms, transit systems, and bustling cities.

"I'm not saying they won't be built, but I think it will probably be some hundreds of years before we're able to build anything at that scale," Longman said of the O'Neill colonies.

Bezos isn't suggesting that people will be living in O'Neill space colonies by the end of the century. Even so, that long-term vision is clearly shaping the present-day goals of Blue Origin, and the commercial space race at large.

Both Blue Origin and its biggest competitor in the commercial space industry, Elon Musk's SpaceX, are developing technologies that Bezos and Musk hope could, one day, shepherd people to new lives outside of Earth.

"I won't live long enough to see the fruits of this, but the fruits of this come from building a road to space, getting the infrastructure," Bezos told Fridman.

Challenges of keeping humans happy and healthy in space

There are many issues to address before we can live on giant space stations and colonize the solar system. But to keep it simple, let's start with the basics: food and reproduction.

Researchers have grown a few crops on the International Space Station, including tomatoes and lettuce. Although these veggies are grown in different conditions, they appear to be just as nutritious as ones grown on Earth, research shows.

However, to achieve the scale of agricultural production necessary for an O'Neill colony, "we need to develop these very safe, closed-loop, self-sustainable agricultural systems," said Rebeca Gonçalves, an astrobiologist formerly at the European Space Agency whose research focuses on how we might grow crops off-world, like on Mars.

As for human reproduction in space, Adam Watkins, associate professor of reproductive biology at the University of Nottingham, said we have a long way to go.

"Giving birth in space — you just don't even want to contemplate the logistics and the difficulties that might be associated with that, let alone if there are any complications associated with it," he said.

As far as we know, no one has ever had sex in space. And we've certainly never sent a pregnant person to space. The health risks are too high, Watkins said.

Those risks stand in the way of research that could reveal how space radiation affects a developing fetus. So, scientists aren't sure what the impact would be.

To eliminate those risks, space colonies would need healthcare systems that are just as equipped to handle reproduction as Earth's are, Watkins said.

"It's one thing getting people into space, we can do that. That's fairly straightforward." Watkins said, adding that the hard part is "building those entire infrastructure communities where you've got those kinds of support structures in place, fully functioning, tried and tested, I think is a very long way off."

Escaping Earth's problems may be a 'dangerous illusion'

Our industrialized presence on the planet is driving climate change, resource scarcity, and a biodiversity crisis. Leaving Earth is a way for humanity to continue on its current path and preserve Earth in the process, according to Bezos.

"We want to use a lot of energy. We want to use a lot of energy per capita. We've gotten amazing things. We don't want to go backward," he told Fridman.

But Martin Rees, the United Kingdom's Astronomer Royal who advises the monarchy on astronomical matters, doesn't think that leaving Earth behind is the best option, he told Business Insider.

Using space as an "escape for the problems we may cause with our own planet," is a "dangerous illusion," he said. "We should look after our own planet. It's the best we've got."

Saving Earth would be far easier than building Bezos' space colonies, he told BI.

Even if we never make it to space colonies, the work of researchers studying extraterrestrial colonization could benefit us here on Earth. For example, Gonçalves' research on Martian agriculture could help improve crop resiliency in degraded, sandy soils on our planet, she said.

"I don't think these O'Neill-type space colonies are going to be nearly as attractive to spend your life on as it is to be living on Earth with its wonderful variety," Rees said.

• Donald Trump questioned why Taylor Swift would support President Joe Biden.
• The former president made his comments during what was billed as a policy discussion with House Republicans.
• Swift endorsed Biden in 2020. She hasn't made an endorsement in the 2024 race.

Former President Donald Trump is starting to get a reputation for commenting on Taylor Swift.

On Thursday, Trump joined House Republicans for what was billed as a policy discussion to plan for the GOP's agenda if the former president wins in November. The gathering repeatedly went off the rails, according to multiple reports. One of the digressions was Trump's lingering resentment of Swift's support for Biden.

"Why would she endorse this dope," Trump said, CNN reported. "He doesn't know how to get off a stage."

Swift endorsed Biden in 2020. She has yet to endorse any candidates in the 2024 cycle. The pop star previously avoided commenting on politics but became increasingly vocal, starting with Republican Sen. Marsha Blackburn of Tennessee's successful candidacy in 2018. Swift's desire to weigh in on the race is detailed in her "Miss Americana" documentary.

Trump, according to Politico, also noted that while in office he signed a law geared toward helping songwriters. Trump was likely referring to the Music Modernization Act, a 2018 bipartisan law that changed royalties and licensing in light of the streaming era. Artists had pushed to update music copyrights for years.

This is far from the first time Trump has commented on the world's biggest pop star. According to the forthcoming book about Trump's time as a reality TV star, the former president repeatedly gushed that Swift is "beautiful."

"I think she's beautiful — very beautiful! I find her very beautiful. I think she's liberal," Trump told author Ramin Setoodeh, according to an early excerpt from "Apprentice in Wonderland: How Donald Trump and Mark Burnett Took America Through the Looking Glass.

Trump couldn't be accused of being a Swiftie, though. Setoodeh noted that he had to explain that Swift was no longer focused on country music after the former president questioned how a country star could be liberal.

"She probably doesn't like Trump. I hear she's very talented," Trump said. "I think she's very beautiful, actually — unusually beautiful!"

Tree Paine, Swift's longtime publicist, did not immediately respond to Insider's request for comment.

• Richard Brown converted a tiny, triangular car-repair shop into a home for himself and his fiancée.
• The building is 430 square feet, with pointy edges and sharp corners that posed design challenges.
• But Brown said it's the perfect size and is now set up to be their dream work-from-home space. 

Academics spend thousands of pages theorizing why most homes are rectangular. Is it that the tools early humans used were bad at carving out curves? Is it influenced by our understanding of math, space, and gravity?

Whatever the reason, most modern homes are — but, as with most things, there are always outliers.

Case in point: a triangle-shaped former car-repair shop in London that architect Richard Brown and his fiancée bought for over £200,000, or around $250,000. They then converted the 430-square-foot space into a livable home via a $127,000 renovation, creative thinking, and a lot of elbow grease.

The triangular home is in the heart of West Hampstead, a northwest London neighborhood where the average house costs roughly £1 million, or around $1.3 million.

Brown, 37, lives with his fiancée Katrina, who asked that her last name not be used for privacy reasons, in the aptly named Triangle House. The property was recently shortlisted for the 2024 Don't Move, Improve! architectural competition recognizing London's most innovative home redesigns.

Take a look inside, and learn how the car-repair shop went from grittily industrial to a light, plant-filled home for two.

The 430-square-foot triangular property wasn't much to look at until Brown came along.

Before they bought the property in 2019, Brown told Business Insider that it was set up as a car mechanic, equipped to service two vehicles.

At the time, Brown said, Katrina was looking to buy a property after inheriting some money.

"You'd normally go and find a flat quite far out of London and get it without a mortgage," Brown said.

However, Katrina, who is a music teacher, thought otherwise when they happened across the 430-square-foot building in West Hampstead.

The car-repair shop cost over $250,000, but Brown said he and Katrina were instantly taken with it.

Brown said West Hampstead is a "valuable area" in London, but it wasn't the neighborhood that swayed them to buy the property.

"The weird thing is, we weren't that attracted to the area as much as we were to specifically this little project in this little corner," Brown said.

The couple wanted to renovate the space so that they both could work from home.

Brown is an architect who focuses on public, commercial, and private buildings, and Katrina is a musician who also runs a course that teaches music instructors how to better impart skills to their students.

Brown loves music and describes himself as an "amateur musician."

The couple wanted their home to be "clean" and "empty enough" for them to focus on their passions and professions, he said.

While the house is "tiny," Brown said it's the perfect size for him and Katrina to live and work in.

Brown also wasn't fazed at the prospect of living in a converted auto-body shop — his last home was a brick shed.

After moving to East London in the early 2010s, Brown became fascinated with industrial spaces, particularly warehouses, that people were using as living and work spaces.

"I got really interested in affordability and interested in the way in which people were converting warehouses for creative uses," he said. The experience shaped his architectural style, which he said focuses on using simple, sustainable materials and techniques.

Prior to the Triangle House, Brown had firsthand experience living and working in an unconventional space. His last home, for example, was a brick shed that he shared with six other people.

It was a pretty "bare construction," Brown added, but he loved it.

It took Brown a year to turn the tiny triangular building into his and Katrina's dream home.

Because Katrina bought the property with her inheritance money and Brown was the architect behind the renovation, they decided to draw up a formal contract on paper in case things went, as Brown said, "awry."

"It was really her money and everything on the line," he added. "It was definitely a client-architect relationship because the project could have obviously defeated us, and we'd still have to deliver."

Brown also carried out most of the renovations to keep costs down. In total, he said the project cost less than £100,000, or around $128,000.

"It was under £100,000, mainly because, as a laborer, I wasn't paid," he joked.

The renovation included putting in a new roof with a skylight and carving out an open-air courtyard.

Brown and Katrina were willing to move into the car-repair shop in its unrenovated state.

"We actually just thought we could just come in here and put some windows in and pretty much just occupy it," he said.

But to get a mortgage on the property as a residential space, he added, they had to make several changes for it to be deemed "properly habitable."

"That was when we realized, 'Wow, we have to do a lot more work than we thought,'" he recalled. Upgrades included revising the internal layout of the car-repair shop and installing new drainage, windows, and roof.

To let more light into the home, Brown designed roof skylights over the bathroom and main living space.

The two doors that rolled up to allow cars to drive into the shop also got makeovers. One became an entrance to the courtyard and the home. The other got transformed into a large bay window facing the street that is also covered in plants.

One of the biggest challenges was figuring out what to do with the former repair shop's pointy corners.

Designing a home with pointy corners — one of which is at a 40-degree acute angle — is tough, Brown said.

In fact, he added, he and Katrina went through around 10 design concepts before landing on one in which they planned "something interesting" for each corner of the house.

One corner holds their small courtyard, full of lush green plants; another houses the only bathroom. The third one, which is also the tightest corner of the property, has an upholstered daybed.

Brown and Katrina have nicknamed it the "cozy corner."

"We snuggle up in there, the two of us with the laptop watching Netflix all the time," he said. "It's the place to go at the end of the day and just fall asleep."

Brown designed a bed that slides into the bedroom wall, creating more floor space.

Although the couple initially considered designing the house as a studio, Brown said they ultimately decided to create a separate bedroom and bathroom.

But he had to get creative to maximize each space.

They dug down to lower the floor in the bedroom, which was "easy enough to do," he added. "And we were like, 'How do we use that extra space? How do we create storage?'"

The answer, he said, was a slide-away bed. Unlike a Murphy bed, which usually flips into a cabinet, Brown designed the bed to slide underneath an empty cubbyhole beneath the floor of the adjacent room — the bathroom — whenever it isn't being used.

A motorized system — to simply push a button and send the bed away into the wall — would have been great but costly, Brown added. So instead, he attached wheels to the frame. The couple just has to give it a quick push when they want more floor space in the bedroom.

"It's never going to go wrong," he said.

The couple has turned an industrial space into a home suited to both their work and personal lives.

Brown said his and Katrina's home exemplifies the ethos of most of his architectural projects, which blur the boundaries between living and working spaces.

Their triangular abode has homey and cozy features, but when needed, it can also be quite a "formal space," he added.

"When you take away the dining table, fold everything away, and clean it up," he said, it transforms into a triangular space that feels "industrial."

And even though it's small, Brown said there's plenty of room for the couple to host guests.

"Two weeks ago, we had seven people over rehearsing for a musical performance for someone's wedding — seven people with instruments in a space that's only 40 square meters," he said. "It worked quite well."